Difference between revisions of "Chapter 7"
| Line 1: | Line 1: | ||
{{Vineland PbP Text}} | {{Vineland PbP Text}} | ||
| − | + | ==Page 92== | |
| + | '''"The Wayvone estate..."'''<br /> | ||
| + | The description sets Wayvone's digs in Woodside or Atherton -- pricey suburbs down the peninsula from San Francisco. | ||
| − | + | '''"Gelsomina, the baby"'''<br /> | |
| + | Also the childlike heroine of Fellini's La Strada [1954]. | ||
| − | + | '''"ventunesimo"'''<br /> | |
| + | Italian for 21st. | ||
| − | + | ==Page 94== | |
| + | '''"Testa puntita"'''<br /> | ||
| + | Italian: pointed head. | ||
| − | + | ==Page 95== | |
| + | '''"Lugares Altos"'''<br /> | ||
| + | Italian: high places. | ||
| − | + | '''"Mr. Wayvone's compliments"'''<br /> | |
| + | Two-Ton's deadpan delivery, and instructions to the band, constitute perfect movie-Mafia schtick. | ||
| − | + | ==Page 97== | |
| + | '''"Italian Wedding Fake Book by Deleuze & Guattari"'''<br /> | ||
| + | If this book isn't real, it oughtta be. Fake books are collections of songs that provide basic chord changes for working musicians who need to play said tunes in a hurry — like on a gig. The auteurial attribution is a very sly academic joke. [http://en.wikipedia.org/wiki/Deleuze Gilles Deleuze] (1925-1995) and [http://en.wikipedia.org/wiki/Félix_Guattari Felix Guattari] (1930-1992) are post-modernist philosophers best known for two esoteric volumes on capitalism and schizophrenia, originally written in French. Volume one was ''Anti-Oedipus''; volume two was ''A Thousand Plateaus.'' | ||
| − | + | ==Page 99== | |
| + | '''"Suddenly she saw another reflection, one that might've been there for a while"'''<br /> | ||
| + | We'll soon learn about DL's prowess at the ninja arts, including the one of not being seen unless she wants to be. | ||
| − | + | '''"...wearing a green party dress...athletic, even warriorlike..."'''<br /> | |
| + | DL is described very much like [http://en.wikipedia.org/wiki/Artemis Artemis/Diana], the Greek/Roman goddess and virgin huntress — whose color is green. | ||
| − | + | ==Page 100== | |
| + | '''"Darryl Louise Chastain"'''<br /> | ||
| + | Even DL's last name, Chastain, is suggestive of chastity (as you'd expect in a virgin huntress), but "stained," imperfect. She's a flawed avatar, a preterite goddess. | ||
| − | + | '''"Dumbo with that feather..."'''<br /> | |
| + | The reference is to Disney's animated cartoon feature, ''Dumbo'' [1941]. The feather was a security symbol that gave the little elephant the confidence to fly when he clutched it in his trunk. (It is rumored that Dumbo is one of Pynchon's favorite movies. Dumbo also appears in [http://gravitys-rainbow.pynchonwiki.com/wiki/ ''Gravity's Rainbow''].) | ||
| − | + | ==Page 101== | |
| + | '''"whatever story DL told...could never be the story she knew."'''<br /> | ||
| + | The first ominous hint of the events in Trasero County. | ||
| − | + | '''"But DL only smiled back..."'''<br /> | |
| + | That is, DL doesn't tell Prairie that she's too young to be so paranoid. In other words, paranoia is the correct response. | ||
| − | + | ==Page 102== | |
| + | '''"Shondra and the kids look wonderful"'''<br /> | ||
| + | The first (easy to miss) inkling of a connection between DL and Ralph Sr. | ||
| − | + | ==Page 103== | |
| + | '''"You think I'm one of those kids on Phil Donahue..."'''<br /> | ||
| + | That is, [http://en.wikipedia.org/wiki/Phil_Donahue The Phil Donahue Show]. Prairie (like most of America) is quick to define herself via a TV show. | ||
| − | + | ==Page 105== | |
| + | '''DL's car has features "not on the standard model."'''<br /> | ||
| + | More Pynchonian mysterioso. And it's a black Trans-Am! A b-a-a-d car, and the perfect ride for a would-be ninja. | ||
| − | + | ==Page 1096== | |
| + | '''They depart "to the stately Neo-glasspack wind chorale, combustion shaped to music, varying as she shifted gears... blending finally into the ground hum of freeway traffic far below."'''<br /> | ||
| + | Pure poetry, and also an exemplary use of punctuation. Go, Pynchon, go! Glasspacks are the most popular straight-through hot-rod muffler replacements ever made. The fiberglass packing provides a slight muffling effect, but does not impede the all-important exhaust speed of combusted products. Sounds great, too. | ||
{{Vineland PbP}} | {{Vineland PbP}} | ||
Revision as of 09:13, 15 December 2007
- Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.
Page numbers refer to editions with 385 pages, where the story begins on page 3. Not sure if there are other editions with variant pagination. Please let us know otherwise.
Contents
Page 92
"The Wayvone estate..."
The description sets Wayvone's digs in Woodside or Atherton -- pricey suburbs down the peninsula from San Francisco.
"Gelsomina, the baby"
Also the childlike heroine of Fellini's La Strada [1954].
"ventunesimo"
Italian for 21st.
Page 94
"Testa puntita"
Italian: pointed head.
Page 95
"Lugares Altos"
Italian: high places.
"Mr. Wayvone's compliments"
Two-Ton's deadpan delivery, and instructions to the band, constitute perfect movie-Mafia schtick.
Page 97
"Italian Wedding Fake Book by Deleuze & Guattari"
If this book isn't real, it oughtta be. Fake books are collections of songs that provide basic chord changes for working musicians who need to play said tunes in a hurry — like on a gig. The auteurial attribution is a very sly academic joke. Gilles Deleuze (1925-1995) and Felix Guattari (1930-1992) are post-modernist philosophers best known for two esoteric volumes on capitalism and schizophrenia, originally written in French. Volume one was Anti-Oedipus; volume two was A Thousand Plateaus.
Page 99
"Suddenly she saw another reflection, one that might've been there for a while"
We'll soon learn about DL's prowess at the ninja arts, including the one of not being seen unless she wants to be.
"...wearing a green party dress...athletic, even warriorlike..."
DL is described very much like Artemis/Diana, the Greek/Roman goddess and virgin huntress — whose color is green.
Page 100
"Darryl Louise Chastain"
Even DL's last name, Chastain, is suggestive of chastity (as you'd expect in a virgin huntress), but "stained," imperfect. She's a flawed avatar, a preterite goddess.
"Dumbo with that feather..."
The reference is to Disney's animated cartoon feature, Dumbo [1941]. The feather was a security symbol that gave the little elephant the confidence to fly when he clutched it in his trunk. (It is rumored that Dumbo is one of Pynchon's favorite movies. Dumbo also appears in Gravity's Rainbow.)
Page 101
"whatever story DL told...could never be the story she knew."
The first ominous hint of the events in Trasero County.
"But DL only smiled back..."
That is, DL doesn't tell Prairie that she's too young to be so paranoid. In other words, paranoia is the correct response.
Page 102
"Shondra and the kids look wonderful"
The first (easy to miss) inkling of a connection between DL and Ralph Sr.
Page 103
"You think I'm one of those kids on Phil Donahue..."
That is, The Phil Donahue Show. Prairie (like most of America) is quick to define herself via a TV show.
Page 105
DL's car has features "not on the standard model."
More Pynchonian mysterioso. And it's a black Trans-Am! A b-a-a-d car, and the perfect ride for a would-be ninja.
Page 1096
They depart "to the stately Neo-glasspack wind chorale, combustion shaped to music, varying as she shifted gears... blending finally into the ground hum of freeway traffic far below."
Pure poetry, and also an exemplary use of punctuation. Go, Pynchon, go! Glasspacks are the most popular straight-through hot-rod muffler replacements ever made. The fiberglass packing provides a slight muffling effect, but does not impede the all-important exhaust speed of combusted products. Sounds great, too.
| Chapter 1 pp. 3-13 |
Chapter 2 pp. 14-21 |
Chapter 3 pp. 22-34 |
Chapter 4 pp. 35-55 |
Chapter 5 pp. 56-67 |
| Chapter 6 pp. 68-91 |
Chapter 7 pp. 92-106 |
Chapter 8 pp. 107-129 |
Chapter 9 pp. 130-191 |
Chapter 10 pp. 192-203 |
| Chapter 11 pp. 204-217 |
Chapter 12 pp. 218-267 |
Chapter 13 pp. 268-293 |
Chapter 14 pp. 294-322 |
Chapter 15 pp. 323-385 |
